As per our original aspirations for the facility, The Look has been slowly growing its team in Cardiff. It has…
The Look opens facility in Wales
The Look has signed a five year lease on a new office in Cardiff, situated in the same building as…
A brief guide to HDR, ACES and Dolby Vision for DOPs, Directors and more
If you’ve had a bad experience with HDR (High Dynamic Range) in the early days, or been forced to use…
Spotlight: Colourist Grace Weston
The first thing I properly saved for was a Canon 500D camera. Teaching myself how to construct an image, how…
Remodelling of London offices
During 2021 we were able to remove our machine room and move the vast majority of our equipment to a…
Spotlight: Ollie Andersen, Junior Colourist
What do you do at The Look? I’m The Look’s Junior Colourist. I’m usually the first to look at a…
Bouncing back from a crisis
2020 is the first time The Look has made a financial loss in its 14 year trading history. After a…
Post production in lockdown
Thomas Urbye, CEO, The Look There was an air of panic as we ploughed in to March, right in the…
Major new technology upgrade to support growth
We are delighted to announce we have upgraded our equipment to handle more major dramas going through the facility in 2019 and 2020.…
Spotlight: Grace Weston, Junior Colourist
Why did you get into the post-production industry? I originally wanted to do photography and was really interested in…
Using technology to bring us even closer to you
Thomas Urbye, CEO: 2018 marks an important change for us as a facility. The Look’s focus is on making everyone’s…
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